FFM series in print

My own print copies of the FFM series have now arrived in the post, so I can show off just how fancy they really are! Observe:

FFM 1-4 front

The cover art looks incredibly fancy in person. The dark parts look darker than they did on the computer, the bright parts look just as bright, and overall they just really pop.

FFM 1-4 back

The back covers: also really fancy. Man these things look good.

Palalgia inside view

Excerpt from “Knock on Wood” (Palalgia), because the interactive stories are where the fancy inner formatting is most obvious. Check out those nifty skulls! Note: the apparent glow is actually just lighting; I cannot guarantee that your copy will have a glowing spine.

FFM 1-4 shelf

The spines are dark and sombre on the shelf. Very serious. You’d never guess that they’re at least 20% silly jokes. Though the effect is probably enhanced by the light-coloured books on either side, they look similar enough to be cohesive but different enough to be told apart; it’s only a shame I couldn’t mark the spines more obviously.


This also means that the book pages have been updated with convenient buy links. You can get there through the menu, but just to make things easy for you, here are all those links again:

borrowed strength ephemeron palalgia changeling cover small

Thank you, and enjoy!


Changeling + print versions!



This year’s FFM collection is now out – on Smashwords, as usual, but also as an exciting print version! This is about the point where one would usually show off how fancy it is with photographic evidence, but, uh, funny story there. I actually can’t buy copies myself at cost, because CreateSpace only accepts credit cards and credit cards aren’t even really a thing here, so I’m stuck waiting for it to show up on Amazon just like anyone else who can’t or doesn’t want to buy from CreateSpace directly. Nonetheless, I assure you it is extremely fancy.

While I was at it, I also sorted exciting print versions (all of them just as fancy!) for the last three years’ FFM collections, so if you’ve ever wanted all my FFM stories nicely collected in a format you can store on your bookshelf and inhale those heady paper fumes from, this is the day that your dreams have come true. And if you’ve just wanted them in a convenient format you can store in your e-reader and inhale those heady electronic fumes from, this is also the day your dreams have come true. Dreams are just coming true left and right over here.

I’ll keep the book page up-to-date with links as it ships out to various distributors, but in the meantime you can get the Changeling in print here and in just about every e-format available here; and if you’d like to eagerly await additional distribution channels or pick up the last three years’ FFM books, just click on the appropriate image below:

borrowed strength ephemeron palalgia changeling cover small

Review: The Secret Casebook of Simon Feximal by K. J. Charles

I figure it’s good for everyone if I branch out into occasional book reviews, and I have recently read a book worth reviewing, so here we are: The Secret Casebook of Simon Feximal by K. J. Charles.

I went into this book knowing absolutely nothing about it, except that I had bought it as part of a bundle and as such was damned well going to read it no matter what: which, as it turns out, was a good thing, because otherwise I doubt I would ever have picked it up. Here is a quick run-through of my impressions:

First impression: “I honestly can’t tell if this is erotica written with an eye to character, world-building, and humour, or if it’s speculative mystery with a lot of gratuitously explicit sex in…?”

Second impression: “All right, so this is basically Sherlock Holmes, if Sherlock Holmes were about ghosts and sex and, on occasion, sexy ghosts (try not to think about the incestual implications of ghostly sex scenes involving dead relatives).”

Third impression: “Haha this is awesome actually”

Fourth impression: “Right, having now read the entire book, I think I can safely put it down as a romance novel.”

Romance isn’t really my cup of tea, which is why I doubt I would have read it on my own, and this makes it difficult to compare it to its fellows. I suspect that most of the things I liked least about it (it was awfully sexy, a bit sappy, and ran slightly towards wish-fulfillment) are in fact staples of the genre. What is, however, my precise cup of tea is low-brow humour wrapped up in elevated Victorian diction, and if that’s what you’re into The Secret Casebook is a veritable goldmine. Large portions of the book pretty much feel like you’re sitting beside a Victorian man in a waistcoat who is nudging you in the ribs with his elbow, winking heavily, and going, “Eh? Eh??”

It’s also quite well-written overall, but the humour is why I’d recommend this book even to those who aren’t usually fans of romance as a genre.

Avoid if: you are a child or easily embarrassed by sex scenes.

Definitely read if: you enjoy some combination of Victorian diction, paranormal mystery, and/or romance; you’re interested in historical ghost stories; and/or you have always wanted for Holmes and Watson to hook up.

You can find a description and buy links here.

FFM 2017 Write-Up

This comes a few days later than I’d meant it to, but this July really wore me out. Now that I’m no longer meeting a deadline a day, sleep has taken the top priority.

This is my fourth year doing FlashFictionMonth, but only the second that I’ve done it as intended: the last two years I spent part of the month traveling, which meant that rather than writing a story a day for a month, I wrote (around) two a day for (around) two weeks. You would think that would be harder; so did I. Thus came the great pitfall. I have done this thrice before, I thought, twice under worse circumstances; last year’s circumstances were particularly horrid; yet I still managed it: so this should pretty much be easy, right?

Hubris is the art of remembering successes but not the costs at which those successes came.

FFM is more of a marathon than a sprint, as I have heard more than once from other participants. Keeping it up for a whole month may, in fact, be harder than doing twice as much a day in half as much time: particularly as having the full day available gives me the internal expectation of writing stories at least twice as good as last year’s, which really isn’t a fair expectation to hit. So, yes: I’m very much worn down right now.

But I’ve also got quite a lot to show for it: not only the 31 stories (and at the moment I’m quite happy with the quality overall: there are some I like less and one I don’t much like at all, but these are a clear minority), but also a setting I’ve reused a few times throughout the month (space faeries!) and may at some point do more with, and also – perhaps most importantly – the understanding that writing, and especially writing well, does, in fact, take time and energy. This seems obvious when you think about it, but even outside of FFM I’m continually beating myself up over not doing “enough”: I’m hopeful that the difficulty with which I made it through this month will help me adjust my expectations to something a bit more reasonable.

Then, of course, there was ilyilaice’s extra challenge: to begin each story with the last word of last one, with the final story ending on the first story’s first. This was a fun challenge, and also an interesting one, because it led me to think quite a bit about the way I usually begin and end stories. These are the 31 starting/ending words I ended up with:

(three) – skins – to – forever – yes – here – open – lucky – it – it – well – dragon – vengeance – time – ready – here – fingers – back – thorns – last – come – rise – head – hope – out – this – death – do – silence – (three)

So that’s an interesting variety, there. Astute observers will notice two its, which shouldn’t be surprising: it’s one of the very few pronouns that’s syntactically valid at both the end of a sentence and its beginning. Somewhat more surprising might be the fact that there were almost two forevers. I thought four different stories with a strong emphasis on such a dramatic word might be a bit much.

Outside of this challenge, I’ve noticed, I have a tendency to begin stories with names or pronouns – or articles, which are even worse for ending on. I tend to end on big dramatic words (forever) – nouns, infinitive verbs, adverbs. But beginning on an “infinitive” verb generally turns it into an imperative, which means either an imperative/instructional narrative or dialogue, which means it’s hard to avoid repeating oneself; and nouns are hard to begin on (singular nouns usually paired with articles, especially), and always have a pretty big impact on the story that follows.

There is a chance this may be less interesting to people other than myself. But among other things, FFM is a good way to improve one’s skills, and thinking about this is one way of doing so.

Now that it’s over, I’m planning on a much-deserved break. Lots of sleep, relaxing, maybe some games. I’ll start on this year’s FFM collection once I’ve recovered a bit: I expect it’ll be ready before the end of August.

Until then, you can peruse these FFM features on this mirror post on DeviantArt. Have a read, and enjoy!